Ok, so first of a new blog posting type for me that should get me blogging more regularly. I’m going to start and document some of my photographic trips out around the city, which as I’m out most night should be hopefully fairly regular and with any luck give a more in depth insight into photographing Edinburgh.
I’m going to start off with a trip I made up to Calton Hill on Thursday 10th March. So if you’re all sitting comfortably?
Thursday had been a belter of a day weather wise. Sat at work during the day we’d gone from sunshine and blue sky to torrential rain, hail and sleet on and off all day, thanks mainly to the gale force winds. With all this in mind, plans were hatched for a trip to Calton Hill for long exposure streaky cloud shots after work.
As usual with the best laid plans I got held up and didn’t even leave the house to head down to the hill until nearly 5.25, not the best with at least a 20 minute drive through the city centre at rush hour and sunset due at 6.05. This time of year is one of the last chances to get a sunset over the Castle as the sun starts to set to far to the right and sunset over the St James Centre isn’t as quite as attractive a proposition.
Arriving at Calton at nearly 5.50 thanks to a dittering woman driving in front of me for most of the way I was thankful I’d sorted out what gear I’d use on the night before I left the house so rather than take everything I left only what I needed in the Lowepro mini trekker to save on weight which I was thankful for after heading up the hill at high speed.
Sadly, once I got the top, the fantastic sunset that was happening as I left the house was now hidden behind a massive black cloud and the rain was starting. Undeterred, I got myself up at the side of the Observatory House and slotted in the CPL, Hitech 0.9ND and Hitech 0.6ND soft grad and tried some longer exposure stuff. I was getting about 40s as the light was fading fast but it soon became very obvious that there was no hope of keeping the tripod still enough for very long exposures in the wind, which by this time was picking up big time.
So, in this situation what to do? Wasted trip or make the most of it? In an effort to make the most of it I took at the filters off which were picking up rain spots anyway, fitted the lenshood and set to aperture to around f10 which with no filtration was giving me a fairly quick shutter on ISO200. 3 shot HDR was going to be the order of the night. Not that bad an option too looking at the epic skies over the city.
This was one of the earlier shots from the night, a 3 shot HDR conversion, camera set at f10, ISO200 on aperture priority. No filters and auto bracketing set at 3 shots -2,0 and +2ev. Thankfully the rain was staying off and it was much easier to clean the odd drop off the Nikon 18-70mm lens rather than the filters. By this point I had abandoned the Sigma 10-20mm and the wide distortion was starting to annoy me.
From here I wandered around the Observatory, took a few shots of the National Monument and thought about packing up for the night. I was after 6.30 and it was shall we say, “brass monkey” weather up on the hillside.
However… as I rounded the corner looking back towards the city the clouds had started to move over and there was the tail end of a sunset peeking through. An unexpected bonus indeed. The only problem was that the wind was getting worse and the light was dropping fast so the longest exposure of the HDR 3 was going to be around the 30s mark. Thankfully though, I got a little sheltered spot just to the side of the Observatory house that kept me out of the worst of the wind and this was the results!
These were about the last 2 shots of the night and I’m well chuffed with the results, it paid to tough out the conditions for a bit. Doesn’t always pay off but as long as the rain stayed off you can always warm up again later can’t you?
I’d say for this particular location it’s always well worth waiting till after sunset a bit, once the lights come on over the city it makes for a fantastic image, especially at twilight more than the proper dark of night.
Only thing I will say is that don’t do it on a weekend night, Calton is safe enough to be on after dark but with the added threat of drunken wee arseholes a lot higher at the weekend I’d say keep yourself and your expensive camera gear clear of the hill after dark then. Otherwise I’ve been up there a few times over the last year after dark and never had a problem, it’s mainly joggers and other photographers you’re likely to bump into!
I’ve finally got around to processing more of the images from that night so without further ado…
So here we are at part 3 of this occasional series! You’ve all gone out and taken the other 22 shots already and you’re ready for more right? Without any further ado, let’s get started on the next 11 must have Edinburgh photographs…
1. Edinburgh Castle from Blackford Hill
We’ve already featured Blackford Hill as the perfect vantage point to photograph Arthur’s Seat but while you’re up there you’ll want to turn your attention to Edinburgh Castle. You’re about 1 mile from the Castle here so you’ll need at least a 200mm lens to have any chance of a close-up. The most likely approach to the hill is parking in the car park at the back of the Observatory. If you feel fit, head up the hill towards the telephone mast and turn right as soon as you can. This will bring you out on the lower slopes and you’ll get your fist view of Edinburgh. It’s steep to the top from here but if you keep on the path up to the mast then turn right up the steep bit of hill it’s much easier as it’s a steeper but much shorter climb to the trig point. Once you there, pick your spot, you can’t go wrong!
2. Scottish Parliament from the Radical Road
If you’re down Holyrood way you can’t have missed the Scottish Parliament building. An odder looking structure you’ll be hard pushed to find and from ground level at least, it’s one ugly building as well. The best way to view this is from above. It changes the whole view somehow and you’ll get the bonus of Dynamic Earth next to it as well. From outside the Parliament building, shield your eyes from the ugliness and walk over the road towards Salisbury Crags. Turn left and look for the small red cinder path leading up the face of the crags. It’s a seriously steep climb here; thankfully you won’t need to go all the way round, just high enough to get a decent elevation on the buildings.
3. North Edinburgh Cityscape at night
This one is a personal favourite of mine. I stumbled across this shot by accident one night while up on Calton Hill taking some more classic shots of the city at night. Up at the side of the Observatory dome is the best place to be, walking round and there is a small railing that leads around to the Dugald Stewart Monument, the start of this railing is the spot. Look for the brightest spot along the shoreline, this will be Leith Docks and this is roughly where you’ll aim, a wide lens is a must here. In the proper dark, you’ll be looking at around a 2 minute exposure at f16 here but its well worth the effort. Also a nice shot to try at dusk as the lights start to come on.
4. Newhaven Harbour
Down on the coastline just 5 minutes from Ocean Terminal is the small historic harbour at Newhaven. As you get here, the first thing you’ll see is the large while lighthouse out on the edge of the harbour wall. In itself, it’s an interesting shot to take but for the best of Newhaven, use it as a backdrop instead. From the side nearest the road, take you pick of the boats and off you go. There’s also a nice shot to be had on the walk out to the lighthouse between the railings. A great spot for sunsets all year too.
5. Greyfriars Bobby
No visit to Edinburgh would be complete without a visit to Greyfriars Bobby. The statue of Edinburgh’s most famous dog sits on the corner of Candlemaker Row and George IV Bridge just across from the junction at Chambers Street. During the festival you’ll almost need to queue up to take the shot. Little tip here, don’t be tempted by the pub of the same name right opposite the statue, worst beer in Edinburgh, you have been warned!
6. Scott Monument from East Princes Street Gardens
Built as a tribute to Sir Walter Scott the large black imposing structure of the Scott Monument dominates east Princes Street Gardens. This is the location of the Christmas big wheel in Edinburgh too. You could photograph this from anywhere in the gardens but with a serious wide angle lens, try it from immediately below, or even as a ventorama for something just a little different. Try going up it too, amazing views from the top.
7. Duddingston Loch from above
Probably only worth attempting if you have a car at your disposal and it’s a bit of a walk if you don’t. At the edge of St Margaret’s Loch in Holyrood Park is a little one way road that leads around Arthur’s Seat. Note that the road is not always open so you might be disappointed, especially at night or on a Sunday afternoon. If it’s open, drive up till you pass Dunsapie Loch on your left hand side. Just past Dunsapie park up at the edge of the road. Looking down, you’ll see the large Duddingston Loch and the church beside, this is your shot right here! Another little tip here, don’t try this one at night, shall we say this is a popular area for “dirtier” activities in cars at night!
8. The Shore at night
A really easy one here. From Commercial Street in now fashionable Leith on the shore there’s a road bridge over the Water of Leith. This is your spot, especially good on a nice calm night.
9. Dean Village
Visiting Edinburgh, you must visit the Dean Village. It’s hard to believe this oasis of quiet is just minutes from the centre of Edinburgh. At the west end of Edinburgh head out towards Queensferry Road, before you cross the Dean Bridge there’s a steep downhill cobbled street. Follow this down into the Dean Village and you end up at a small bridge. Don’t cross the Bridge but follow the street further down keeping the river on your right, now you’ll be at a small footbridge. Just below this footbridge is your spot. Easy to get down to if the water is low. Look upstream and there’s your shot right there!
10. Fireworks at the Castle
Obviously this isn’t an all the time shot but it does happen with some regularity. The best of the lot is the Bank of Scotland Fireworks to mark the end of the Festival but there’s also a 10 minute display on every Saturday night after the Tattoo during the Festival around midnight, more at midnight on Hogmanay (December 31st) and sometimes on November 30th (St Andrews Day). With stacks of vantage points around the city Blackford Hill is again one of the best. However, Inverleith Park, Arthur’s Seat, Calton Hill and numerous city centre spots will also give you pics to be proud of.
Undiscovered: Union Canal at Ratho
Take the A71 out of Edinburgh on the West side of the city. After a few miles you’ll see a turn off for Ratho on the right. Take this past the Ratho Park pub and keep going for about 1 mile into the village of Ratho, turn right at the junction and follow the road around till you see the Bridge Inn pub. Park up here and cross the humpback bridge and head down onto the canal towpath on the right. Just up here is your spot, even better on a calm day.
So there we go, another 11 to keep you busy. Feel free to leave your comments below.
So, first things first. What exactly is a Lensbaby? In simple terms, it’s approximately a 55m lens on a bendy bellows what allows selective focus. It comes in 3 flavours, the basic Muse, which is, to be honest, not the easiest things to use. The more advanced Composer which allows you to lock focus which means you can use it on a tripod and spend time to get your focus bang on. Finally there is the Control Freak, or 3G as it used to be called. A strange looking lens that allows you to lock the focus, fine-tune it and then fine-tune your blur with the 3 adjustable screws around the lens. Owning both a Muse and 3G I can say without doubt, if you buy one, get the Composer or 3G, so much easier to use. Also, go for the glass optics, the plastic optic versions are cheaper but give a much less sharp image. Prices range from around £89.99 for the plastic optic Muse up to £229 for the Control Freak.
With the Lensbaby lesson out the way we can get onto the photo walk route. When I set out today I had no intention of this turning into a Lensbaby day, the Nikon D90 had the Sigma 10-20mm lens on to start with but when I finally used the 3G Lensbaby the idea for this blog post hatched. With that in mind, lets do a quick overview of the route, and you can always refer to the map at the bottom of this post which shows the position I took each of the following 10 shots from. I focused mainly on landmarks and steered away from arty farty type low DoF shots for this and the main focus of today was to capture the familiar in an unfamiliar way.
Parking at Kings Stable Road, which is always easy to get parked at, I went into West Princes Street Gardens, passed through to East Princes Street Gardens, back out at the same side I went in at the National Gallery, up The Mound, Mound Place, Ramsay Lane to Edinburgh Castle Esplanade. From here, out to Johnston Terrace, Castle Terrace and down the steps back to Kings Stable road. Not that hard going and took about an hour and a bit to complete. Easy enough for most people.
Equipment used was a Nikon D90, Lensbaby 3G with the f4 aperture ring fitted, Giottos Tripod and remote switch. All shots were in manual mode, as the Lensbaby will not work in any other mode setting on the D90.
1. The Ross Fountain and Edinburgh Castle
First off, the classic shot from West Princes Street Gardens. Sadly, at this time of year the flowers are dug up and the water tuned off not that it really affected this shot though. Focus was on the top of the fountain.
2. Balmoral Clock and Walter Scott Monument
Focal point here is on the clock with the blur bleeding in from the left hand edge over the Scott Monument. Taken from the side of the National Gallery looking east.
3. Buskers at the National Gallery
A popular place for street performances during the Festival there’s usually something going on here all year. Today, we were treated to a performance by these buskers. Start contrast to the 2 alcoholics begging a few yards further down! Welcome to Scotland indeed…
4. Ramsay Gardens
From the National Gallery we head up the Mound, from the first corner here you get a great view of Ramsay Gardens, the most exclusive address in Edinburgh. You’ll see why when you pass though here on the way to the Castle.
5. The Balmoral Clock
First of 3 from the high vantage point of Mound Place. Here, the focus point is the Balmoral Hotel clock face. I find if there’s anything that is expected to be sharp, writing, clock face etc, it makes an excellent focal point to Lensbaby shots.
6. National Gallery
Looking down a bit more is an ariel view of the National Gallery of Scotland. Focal point here is on the pillars on the right.
7. Princes Street
From this elevation it’s almost a tilt-shift shot with the Lensbaby. Focal point here is on the junction in Princes Street itself letting the blur come in from both edges and up from Princes Street Gardens.
8. View from the Esplanade
When the Tattoo grandstands finally get dismantled there’s a great view towards the south of Edinburgh from here. Only part of the wall was accessible today so this is the best view I could get. Focal point here is the back of the old building of the Edinburgh College of Art with the Pentland Hills as a dramatic backdrop.
9. Edinburgh Castle
Tuning right down the steps as you leave the Esplanade takes you down into Johnston Terrace where you can get this fairly classic view of Edinburgh Castle.
For our final shot we walk down Johnston Terrace to the top of the amusingly named Granny Green Steps. From this point you can get a view of where Kings Stable Road joins the Grassmarket, again from this elevation it looks almost like a tiltshift.
Below is a map showing the location I took each shot from, thanks to Google Maps for the map.
Feel free to leave your comments below, if this post goes down well I’ll try and suggest some more photo walks around the city in future.
So your about to visit Edinburgh, camera in hand and ready to go. What are the must have shots to take home? Depends on your viewpoint really but for any tourist, there are a few must haves to take home to impress your friend and relatives. What follows is a personal top 10 of the classic Edinburgh shots, there are millions more to be had but these for me are my personal favourite “postcard” shots.
1. Calton Hill, the Dugald Stewart Monument and the city.
A no brainer this one. Surely one of the most iconic views Edinburgh has to offer. Stand up on the hillside by the old Observatory, from the corner the right spot will be obvious. Some people take it from further back with the Dugald Stewart Monument on the right of the shot; this is my preferred take on it. Get your position right and you can get the monument, Balmoral Clock and Castle positioned perfectly. Works well on a nice day with blue sky, sunset or even in the dark with a nice long exposure.
2. The National Monument
While you’re up on Calton Hill you might as well get the National Monument while you’re there. Hard to miss, the best shot is straight on to the structure. Of course you can shoot if from all angles but straight on is the best for me. If the weather’s not the best you might luck out and get nobody posing for pictures on it, otherwise you’ll have to live with the tourists in the shot. Not always bad as it gives a nice sense of the size of the monument. The monument is lit up at night so opportunities for a night shot here as well. Just be careful up on the hill at night, not always the best place to be alone with expensive camera gear in the dark.
3. Looking down Princes Street
3rd shot on Calton Hill. From the foot of the Nelson Monument, over the railings there is a classic view straight down Princes Street. With a reasonable zoom lens you can keep in the Balmoral Clock and look right down the length of the famous street. This shot works especially well at night with light trails along the road.
4. The Ross Fountain and the Castle in Princes Street Gardens
Found on the western edge of West Princes Street Gardens is the magnificent gold Ross Fountain. In summer, it’ll be surrounded by busts of colour with the flowers around it and the water will hopefully be turned on too. Position yourself right and with a reasonably wide lens you can get the fountain, flowers and Edinburgh Castle rising up behind it. Another iconic view of the city, especially good on a nice clear day. The Gardens do shut overnight so opportunities for sunset and sunrise are limited here; check the sun position to with SunCalc, the sun positioned to your right gives the best light on both the Castle and fountain.
5. The Forth Bridge
Found at South Queensferry, roughly 12 miles from the city centre is surely the world’s most recognisable bridge? The Forth Rail Bridge is a 3 span cantilever rail bridge and probably Edinburgh’s most recognisable structure. There’s no bad time or weather condition to shoot this bridge. Day, night, sunrise, sunset, rain, shine or snow, you’ll always get something different. Head down the little lane to the right of the bridge and you’ll come to a perfect spot to get it at sunset.
6. Cramond Causeway
Out to the west of the city before you come to the Forth Bridges is the village of Cramond. Sitting on the mouth of the River Almond is most famous for its Island and causeway which can be walked at low tide. Lining the Causeway are huge concrete spikes which are actually WW2 submarine defences. Chances of a good shot here are endless but looking down the causeway to the Island is always a winner. Just be sure to check tide times if you attempt a crossing, it’s further than it looks.
7. View from Arthur’s Seat/Salisbury Crags
There are 3 options here depending on how fit you are. If your feeling up to it, go right to the top, be warned, it’s not that easy going though. Other options are to the top of Salisbury Crags or even better, from the Crags base up on the Radical Road. The Radical Road runs from Holyrood climbing steeply up around the base of the Crags cliff face. Coming in from the other side of the road near the Commonwealth Pool is a much less steep climb. From up here you can get one of the most breathtaking cityscapes you’ll get from anywhere in the world. Sunset is good here in late autumn, winter or spring as the sun comes down behind the Castle but on a sunny day the view is equally as awe inspiring.
8. Arthur’s Seat from Blackford Hill
OK, so we’ve been up Arthur’s Seat but where’s the best place to photograph Arthur’s Seat from? Calton Hill is one choice; personally I’d go a little further out and do it from the slopes of Blackford Hill out to the South of the city centre. From up here you can get the whole classic profile of both Arthur’s Seat and Salisbury Crags. Add to that the bonus of the views over the city and it’s a winner of a location.
9. Scott Monument, Balmoral Clock and the North Bridge
3 classic Edinburgh Landmarks in one easy shot. Walk up the side of the National Gallery from Princes Street and you’ll see the shot. Looking over East Princes Street Gardens you’ll get a decent view of all 3 from this slightly elevated position.
10. The Christmas Special
Princes Street is dominated every December by the arrival of the Big Wheel. Part of the city’s Christmas hoo-ha, the wheel sits next to the Scott Monument and with the arrival of the dark nights it’s a perfect place for a colourful Edinburgh at Christmas shot. In Princes Street look east towards Calton Hill, position yourself just before the wheel, with a camera on a tripod on the island in the middle of Princes Street. Wait for buses and general traffic to start moving and fire the shutter for around 20s. A perfect shot, and there can hardly be a photographer in Edinburgh who hasn’t done it.
11. The Undiscovered Gem
So 10 fairly well known shots down, now it’s time for something a little more out the way. Found at the top end of Harrison Park in the Harrison/Ashley area of Edinburgh is Ashley Boathouse. Sitting on the Union Canal around 1 mile from its start point at the Lochrin Basin the boathouse is one of the most photogenic locations in the city. Get here with a nice late evening golden light and you’re onto a winner especially if there’s a nice calm water surface.
So there you have my personal top 10. I’m sure many won’t agree and yes, I have left out a few of the obvious shots. Looking down Advocates Close from the Royal Mile to the Scott Monument has been omitted as the close behind is covered in scaffolding at the moment ruining the shot. I’ve left out anything from the Castle, top of Scott Monument or top of the Nelson Monument as these are all paying locations.
Feel free to add your own classics in the comments below!