For a good while I’d seen this bridge on Flickr. Never paid much attention to it but it did feature in some pretty cool images. It’s not your normal bridge; this bridge was slap bang in the MIDDLE of the water with no visible means of access either side. Weird!
After a bit of research I found the location, in Belhaven Bay just to the east side of Dunbar. Take a look at Google maps for the exact location; you can actually see it on there quite clearly. I also discovered that the bridge actually does have a purpose, at low tide it spans the Biel Water where it empties into Belhaven Bay and the North Sea, at high tide the water effectively cuts the bridge and the sand flats beyond off. Makes a lot of sense if you see it at low tide!
The obvious time to photograph this place is high tide, so check the tide times before you make a trip out there. Ideally, a tide of 5m+ is what you’re looking for to make sure the small walkway to the bridge is under water.
The location itself is pretty accessible. Lots of parking about and the bridge itself is just feet away near the high tide line on the beach.
Ideally, you’ll need to lenses to get the most of this location, a super wide and a wide with a little zoom. If the tide isn’t covering the walkway, the super wide will be your weapon of choice, if it is and your forced further back from the bridge by the water then you’ll wish you had a little zoom at your disposal.
High tide 45 minutes earlier and I’d have been onto a winner; still it does give me an excuse to visit the location again in search of that perfect shot!
A quick note about this location, it’s a great place to be and on a nice night, it’s one of the best spots with easy access I’ve yet to find but if the weather is bad you’ll be really exposed, high winds and rain and not that uncommon, it took me 3 visits till the wind dropped enough to use the 70-200mm lens to get a shot of the Bass Rock from here that wasn’t blurred due to the wind blowing the lens about!
In the time I’ve been seriously taking photographs, one thing I’ve discovered is that a little research pays dividends before you travel to a location to photograph it. I used to just turn up where I fancied and snap away, now with a bit more experience under the belt I usually have some idea of what kind of shot I want before I get there and it’s pointless going if the conditions aren’t going to be right!
Here’s a perfect example, this is the Belhaven Bridge just to the east of Dunbar:
At this location, high tide covers the walkway to the bridge so the bridge looks as if it goes nowhere with deep water either side, it in fact, spans the Beil water as it exits into the sea at this point which you can see at low tide. So, using the Tide Times website, I knew when high tide would be so headed down there for that. Sadly, it didn’t co-incide with sunset which you could check out on Suncalc.
Arriving later than hoped the tide was peaking but not covering the walkway. I know from research that night at the high tide height was 4.6m so; it follows logic that the walkway was just on the verge of being covered so waiting for a day with a tide predicted to be higher than 5m will give me the shot I want. The perfect time to take this shot will be a high tide, 5m+ co-inciding approx 20 either side of sunset. High tide and sunset co-incide on 24th May but with a predicted tide of only 4.2m it’s not the perfect night to get the shot, better to wait a couple of weeks and try again.
Tides also play an important part of decisions where harbours are concerned. I love long exposure shots but high tide, long exposures and boats bobbing about don’t go! Nobody wants blurred boats! In this instance, it’s better to forgo the 10 stopper and use a faster shutter and wait for a lower tide, or at least the boats in the front of the shot to be grounded. Of course, you always have the option of cutting the boats out of the shot altogether, but unless there’s something else as a good focal point then this leaves you with limited options.
Clouds are another feature of nature to keep and eye on. Nice blue skies are all very well, and indeed welcome in some cases but a bit of cloud cover always helps. To try and give an example, this is the top of the Falkirk Wheel on a day with little or no cloud cover:
I know which shot I prefer…
Fast moving clouds, by which I mean heavy broken cloud, are great for long exposure photography. Huge dark clouds with little or no definition are not! Clouds can also add a lot to sunsets as the light bounces off them and in HDR photography you can create dramatic scenes with a nice cloud cover:
So, before you head off. Keep an eye on the:
And plan accordingly!
It’s not often I drop a new blog post about a single shot but I liked this one so much I thought it worthy of a little write up.
As you will see if you follow back my recent posts I’ve been experimenting with long exposure photography over the last few weeks, in fact, it’s becoming more of an obsession than an experiment.
What I have had bother with though, is getting decent colour into shots, hence why my Flickr Photostream has gone rather monotone of late. Stacking those Hitech ND soft grads is just a sure-fire route to a purple colour cast on the D90, which is pretty undesirable to say the least. However, last night everything just fell nicely into place and I ended up with, what has to be, may favourite shot of the year so far.
The original plan had been to catch the sunset at Longniddry over the rocks but other things I had to do put paid to that and I would have only made Longniddry just before the sun went down which would have been ok if I was more familiar with the location. As I’m not I diverted back up the Edinburgh coast with the intent to catch the sunset over the Western Harbour. However, since the shows are at Ocean Terminal just now and the place was overran with walking JD sports adverts with attitudes I headed for the more peaceful refuge of Newhaven Harbour instead.
I really didn’t want to be at Newhaven having really photographed the place to death over the last few weeks. Its easy location and multiple shot possibilities make it and attractive location but it’s fast becoming my new Colton Hill, somewhere I’ve visited so often I get bored of it.
With the sun setting though, it was Newhaven or nothing and apart from anything else, at this time of year bar the Forth Bridges, it’s probably the best sunset location in Edinburgh. Sunset was still about 25 minutes away when I got there so I originally setup with the Sigma 10-20mm on the D90 and took a few tester shots using the grads and polariser but no 10 stopper. 10 stoppers are only any good in harbours if the tide is out, with it in boats tend to bob about and blurred boats do not good pictures make.
With the sun and the available light dropping fast I moved position to put the sun behind the lighthouse to avoid any lens flares and replaced the ultra wide with the Sigma 70-200mm f2.8 EX HSM, my absolute favourite lens. This let me frame the lighthouse and harbour wall nicely but avoid any boats in the shot. I then added the 77m filter ring and slipped in the polariser, ND 0.9 soft grad and tried a few test shots. I also experimented with a light tobacco grad and sunset filter but it was the red grad, a filter I’ve never used as I hated the results that was producing the goods. With the grads set properly, I locked the tripod securely and removed the filter holder and put it down on the camera bag careful making sure the grads didn’t move. I removed the 77mm ring and fitted the Heliopan 77mm ND3.0 10 stopper, fitted the 77mm ring to that and carefully slotted in the holder with the grads. I had to do it this was as with the 10 stopper fitted there was no way to line up the red grad on the horizon as you can’t see anything.
With light fading fast I upped the ISO to 200 and opened the aperture up to f8 and went for a 2 minute exposure which was ok but the red was too intense. I tried again upping the exposure to 3 minutes which turned out perfect.
As far as post process work went, there wasn’t a lot to do, the pleasures of getting it more or less right in camera. I created a new adjustment layer and increased the exposure to lighten the inside harbour walls and bring out some detail. I then erased all but the harbour walls from the layer. I then added a new photo filter layer to intensify the colour in the water, other than that, that’s about all I had to do with this one. Thankfully the sensor clean I attempted the day before must have been spot on as there was nothing needed cloned out at all. A welcome surprise.
So here it is the final product and most certainly my favourite shot of the year, so far…