We’re just a few hours away from the biggest firework display Edinburgh, the capital city of fireworks puts on every year. Yes, I know it’s short and the end of Festival ones are a good 40 minutes long but the festival ones are largely naff, the midnight display though is a belter. BUT, where to watch or photograph it? I’ve had the pleasure of photographing this a few times over the years so here’s a run down of what to expect at some of the better vantage points.
Are you mad? Crammed in with 80,000 “revellers”? The view will be incredible and in windy conditions you are better closer in but you’d toil to use a tripod of any kind. Will be great to view but unless you want to shoot high ISO and handheld I’d be looking elsewhere.
No doubt, Calton has a view and a half AND you’ll also see the light and laser show on the castle rock but it’ll be busy, very very busy. There’s also building work going on up Calton that takes away some of the prime spots for photographs and large parts of the hill will be sectioned off, especially if there’s any fireworks going up from Calton as well. Photographing the festival fireworks from up here usually means you will be part of a mass of tripods all clamoring for the best view. If you have the patience to deal with it, you will get some great shots. The thing to watch out for is the fireworks smoke, it’ll drift towards the Calton direction tonight so get shots as soon as they start as you might be in the smoke as the display progresses.
Hundreds of potential viewpoints but the park will be shut so it’ll be a long walk no matter where you go, you’ll also get the full force of the wind tonight. That said, if you get high enough the pics will be fantastic.
You won’t see the light and laser show as it’ll be on the other side but it’s a good location to watch the fireworks. It doesn’t get too busy at New Year either. If you head here, presuming you are in the main car park, head up the path until you get to the first grit bin, take a right here until you get to the view of the Castle, there are 2 benches here, to the left and right. There’s a path in front that curves off to the left towards another bench, follow that path past the bench until you get to a bit with a clear view to the Castle. You get some decent shelter here from west winds so it’s a decent place for photographs, you’ll need at least a 200mm lens, preferably more.
Of all the places I’ve taken pics over the years, this was one of the worst. The view is great, you’ll also see some of the light and laser show but hands down, this was the worst place I’ve tried to take pics. Setup well before the fireworks in the 10 minutes leading up to midnight the place will fill up with mostly very posh drunk people, nightmare scenario. If you do, setup on the slope lower down, you might get lucky but don’t even attempt it up by the tree line.
Great view, great place to take pics but horrible atmosphere. Last time I was there it was heaving, lots of aggressive drunks, random fireworks being let off. Hated it but the pics were good.
At the end of Carrington Road looking over the rugby pitch of Fettes Police station there’s a decent view to the Castle. It’ll be quiet too, worth considering. You won’t see the laser or light show but a no nonsense location if ever there was one.
You’ll see everything, including Ariel shots, the light and laser show, everything. It’s warm and inviting and where I’ll be tonight!
Where ever you end up, enjoy it, stay safe and have a happy new year!
Well, it’s been quite a while since I last blogged hasn’t it? Not quite sure how that happened, I’m guessing the whole Facebook page has just got in the way, and if you’ve never seen it, my day to day stuff can be seen on Facebook here: http://www.facebook.com/realedinburgh
Anyway, a subject I’ve blogged on before was about never being afraid to take the same photograph twice, three times or how many times you want to take it. You can re-create a composition but you will never recreate an image. What might be a mediocre image one night might be that killer shot the next. Never let anyone tell you “oh you photograph the same stuff all the time”. As a photographer you capture light and that light is never the same.
Another advantage of revisiting was clear to me this week when I made a 2nd trip to catch the fireworks at Edinburgh Castle which mark the end of the nightly Military Tattoo performance. My first attempt at the early show on Saturday wasn’t great as it was still simply too light so another mid week visit was in order when the show finished around 90 minutes later.
Wednesday night was that night. Warm with reasonably still conditions which were perfect. Heavy rain forecast but fingers crossed it would stay away till the fireworks had finished at least. If I’m honest, when I left the house at 9.30pm I had little enthusiasm for driving into town and hiking up Calton Hill in the dark with a bag full of camera gear after a long day at work but the sight of Edinburgh Castle from the outskirts of town all lit up and standing out like a sore thumb had me inspired enough to get going!
Calton Hill has a somewhat unsavoury reputation at night but at this time of year it’s filled with tourists in the dark and the front end of the hill isn’t particularly dark either. If you’re hesitant about going up there, don’t be, you’ll be only one of a few photographers up there more than likely but stick to the front of hill where it’s well lit and you’ll be fine and the views of the city are unbeatable.
Having shot this exact same sequence on Saturday night this gave me 3 valuable insights.
1. What time the fireworks will start (in this case, 10.30pm)
2. Where the fireworks launch from (to the right of the castle away from the Tattoo lights)
3. Roughly what will be coming, ie huge bursts or low level bursts.
Number 3 was particularly important and I was pushing the limits of what I could get in the frame using a combination of the Nikon D7100 and Sigma 70-200mm f2.8 EX HSM rather than the wider 18-200mm VRII. Using the Sigma was important as it’s oh so sharp compared to the 18-200mm lens and that makes a massive difference with these shots.
With that little prior knowledge I knew the first burst was a huge red firework so I could get setup with the camera in portrait mode. I also adjusted position to put the lit front of the castle and the Balmoral clock in the centre of the firing zone so I could get both focal points in the shot.
Sure enough, 10.30pm and there goes the first shots, it was all very calm and all I had to do was wait and hit the remote at the right time, almost too easy but then again, with the forward planning most of the guesswork was out the way. This was the first shot of the night.
The next few minutes were more or less a scramble of bigger fireworks with some lower level stuff but I knew what I was after was still to come. Not that I didn’t rattle off shots in the meantime. Using a fairly short exposure, around 1.3s at ISO400 and f8 was suiting me perfectly and allowing a good range of shots.
Now, this prior knowledge paid off again. I knew there was a gap in the fireworks and after that long-ish gap was the bursts I was looking for. A series of low level bursts in an arc above the castle. Knowing this was coming I had plenty time to flip the camera to landscape mode, zoom in a bit more and make sure the focus was spot on.
Sure enough the expected bursts came and the shot I had planned was in the bag.
A previous visit along with a little planning had paid off and it’s another classic example of why you should do your homework and never be afraid of doing a shot again. Armed with this knowledge now I might have another go at these fireworks from a different location and see what the outcome is. The best of this is I’ve got fireworks shots now from a premium location, a location that will be packed to capacity for the main event on Sunday 1st September at 9pm. Where will I be that night> Not on Calton Hill that’s for sure, I’ve already got my shots from there!
If you want to try these fireworks yourself the Tattoo is on till the 24th August (except Sunday). Monday to Friday the fireworks will start about 10.30pm and last approx 10 minutes off an on. On Saturday they start at 9.00pm and again around midnight where it’s a longer display.
The main Edinburgh fireworks event takes place at Edinburgh Castle on Sunday 1st September at 9pm and lasts for around 45 minutes.
Ah, Autumn, thank god it’s here at last. Whatever it throws at us it can’t be worse than the soggy summer of 2012. In photographic terms at least, the next couple of months are great for getting out with the camera. Sunset and sunrise are at sociable times, nice dark (hoepfully clear skies) and the trees turning those fantastic golden shades.
So here you are in Edinburgh, what’s the hot shots to try out the next couple of months?
Lets kick off with the top sunset location for Autumn in Edinburgh and it’s predictably Calton Hill. At this time of year the sun in heading back towards the Castle at sunset meaning all those fantastic cityscapes can benefit from the full burst of colour from the setting sun.
Don’t forget the twilight too from up here, any direction is good, why not try Leith at twilight for something a little different?
Sticking with Calton Hill, the just after sunrise the National Mounment will be casting some nice shadows. Get up there early though, too late and the sun will be in the way of the shot.
Seafront locations are not at their best at this time of year for sunsets but the Cramond causeway can provide a nice sunrise.
On 5th October, the sunset at high tide at both at exactly 6.31pm, with a 5m tide it’s a perfect night to head out to Belhaven Bay outside Dunbar for the Bridge to Nowhere shot.
It’s getting a little late in the year but 8th October might be a good night to try and catch the advancing tide at the Longniddry wreck found just off the number 1 carpark.
Nearer the end of October with the moon out the way it might be a good chance to try for the Milky Way before it slinks off for the summer, try the carpark at Harlaw Reservoir about 2 hours after sunset, give your eyes time to adjust and you should see the dense star cloud that forms the band of the Milky Way just off to the south west.
There’s obvioulsy quite a few fireworks opportunities around November 5th but keep and eye open for the South Queensferry display for a chance to catch them over water.
There might also be a display at the Castle for St Andrews day, though possible not exactly on 30th November and it’s likely to be short display too.
With the darker nights it’s also a pefect time to try those light trails shots, with Princes Street open again it’s an obvious choice but anywhere with traffic is possible, why not try Holyrood Park about 30 minutes after sunset?
It’s also a good time to get those star trails shots in, Newhaven lighthouse, is a cold but worthy spot as you can get Polaris in the shot.
Hopefully that little lot will give you some ideas for Edinburgh photography over the next few months!
The big problem with photographing fireworks displays in Edinburgh is trying to get something that’s not been done 100 times before. This year along we’ve had the half hour display from Edinburgh Castle for the Festival, a shorter display from the castle for St Andrews Day, a display from Calton Hill as part of the Hogmanay celebrations and just over 24 hours later, another huge display from the castle again at midnight for New Year. That’s quite a lot of opportunities with iconic landmarks.
For the Festival display I trudged high up on Salisbury Crags with what felt like 10 tones of camera gear but nailed the shots I wanted so it was all worth it.
The St Andrews Day display though was another matter. With no firm time for the display and a strong biting wind I had gave up on my Calton Hill location thinking they had been cancelled, thankfully when I realised that hadn’t I was only down by Regent Road so did get some shots, nothing I’d describe as killer though.
Ok, so it’s not bad and the Bank building in the shot rather than the castle is different but it’s not the shot I wanted, not the best of nights.
Next big chance was the Son et Lumiere on Calton Hill, the end of the Hogmanay torchlight procession. In previous years I’ve shot this from the hillside itself from the back of the 10,000 strong crowd but have never been that pleased with the results.
This year I decided to try something different. Earlier in the year I took some shots from the Holyrood side of the Radical Road around Salisbury Crags trying to get traffic light trails with a backdrop of the Parliament and Calton Hill. The idea struck me, why not try and combine the two? So that’s what I did. 2 cameras set up, D7000 with the Sigma 70-200mm shooting Calton close in in portrait format, the D90 with the Nikon 18-200mm lens shooting the wide scene on 15s exposures to get the light trails and the fireworks. And guess what? It worked. Exactly the shot I wanted and something I’ve not seen done before.
The good times didn’t last though. For the big New Year celebration fireworks I had scouted out an easy access location with a clear view to the front side of the castle. Trouble was, this was a daylight scouting mission and on arriving at the location with no time to get anywhere else, the error I had made was obvious. There’s a rugby club here and they had strong security lights on their clubhouse, right in front of the castle which caused a load of issues with light flares on both cameras.
To say this was a nightmare was an understatement, I had to spend the whole display fiddling with settings and compositions and came away with nothing I was happy with at all. Eventually I had to resort to blending two fireworks bursts together and then blending in another shot of the castle before the display to get anything approaching a usable shot. I’m not that happy with the results, it looks too perfect. No smoke obscuring the castle is the big give away. To the man in the street it’s a good shot but to a semi knowledgeable photographer, it’s a dirty big fake and that doesn’t sit that easily with me.
So, lessons learned?
Scout out new locations at night.
Use your existing shots for inspiration for locations and techniques.
Get all the info you can on the display.
Use 2 cameras on different settings if at all possible.
I’ve got a few months now before there will be anymore, I just hope I remember the lessons learned by then!
As we near the end of the year I’m going to take a look back over the last year and pick my favourite shots each month. I’d love to see what other photographers rated as their best shots by month too!
The year started well as I’d make the decision to shun the traditional Scottish Hogmany in favour of staying sober so I could get some shots of the fireworks from Edinburgh Castle at midnight. Standing on Bruntsfield Links stone cold sober while all around you could hardly stand was “interesting” to say the least, at least I got this shot as way of compensation.
February was a pretty difficult month for me personally, as I spent most of it ill, a culmination of 5 months of feeling like crap. The intense low temperatures in February didn’t help although with the Western Harbour frozen solid it did let me get some killer reflections in the ice.
March was the month of the “Supermoon”, although cloud cover did all it could to scupper any chances of a decent shot. Funnily enough it was a freak weather condition that sorted out my favourite for March. This shot from Calton Hill after some late winter snow was sheer chance. 10 minutes before it was clear and 5 minutes after it was clear again, for 5 minutes the Castle disappeared into the fog.
April was the start of my long exposure period. A Helipoan 10 stopper was bought and the long exposures commenced. To be fair I really enjoyed it at the time but couldn’t see past it. Everything had to be at least 60s exposures or it wasn’t good enough. I did get some nice shots out of it though, of which this of the Falkirk Wheel was one.
Still in long exposure mode I found the bridge to nowhere in Behlaven Bay near Dunbar. It took a few trips to get high enough tides but finally I got a shot of the water all round the bridge.
In June, I finally figured out how to time the tides at the Cramond causeway so I could catch the tide coming in from down at the water’s edge. After several goes and wet feet to be going on with, I had this shot in the bag.
July was a good month. A lot happened including the mother of all thunderstorms over Edinburgh. The shot of the anvil cloud retreating over the Pentlands was a tempting pick for this month but July was really about macro for me, and this may well be one of my favourite ever macro shots, taken in the Botanic Gardens lying flat on my back in the dirt getting funny looks from all around…
August was a hard month to choose but this had to be the shot for the month. Probably one of the best I’ve ever taken and the first trip out with my new Nikon D7000.
September was all about the Festival Fireworks or Leuchars Airshow. The Red Arrows pip the fireworks to the post for me, quite an awesome sight.
This was an easy winner for October. I’d been playing about with twisting the zoom during long exposure shots and this was the result down on a still night at the Victoria Quay with the Scottish Executive building, a single exposure!
We got the best sunset I’ve ever seen one night in November and was lucky enough to be up on Calton Hill waiting for it. This was the pick of the bunch from that night.
No contest here, December was the first time I had really tried to do a star trails shot and this was the result. 100 30s exposures over 50 minutes blended to get the final result.
What a week it’s been for the old sunset shots! It also helps that sunset is at a hospitable time at the moment too. Setting around 8.40 is much preferable to being out and about at the back of 10 or worse still, being sat in work watching the sun give a great visual display on the horizon!
My last post gave you whole tale of how I managed to get my favourite sunset shot of the year so far, but as I can see from my Flickr photostream, April tends to be a particularly good month for sunset shots around Edinburgh for some reason.
This was last night’s effort. The original plan had been to head down to the Cramond Island causeway, but since I’ve done that to death I headed down to West Shore Road instead to a spot further along the coast I spotted the other night which had a perfect view of the causeway, Cramond Island and the Forth Bridges behind.
To say this was a difficult shot to take would be an understatement. The sun was still high in the sky, actually just above the top of the shot. With the distance I switched to the Sigma 70-200mm f2.8 EX HSM for a bit of extra reach but actually expected it to give me horrible lens flares, which surprisingly, it didn’t. Once again, I framed up the shot with no filters, locked up the tripod and slipped on the now invaluable Heliopan ND3.0 10 stopper, the result was a pleasing enough shot with a nice gentle orange glow in the sky but it left the water a touch dull.
To combat this I slipped on the adapter ring and filter holder and slipped in the sunset filter. With this in place I could stretch the exposure out to a full 60s, after a couple of goes at setting the grad this was the final result. It took a fair bit of post process if I’m honest as shooting into the sun had brought out every single dust mark on the sunset filter, of which there were many! There was also a bit of flare I’m managed to just about eridacate with a little dodge and burn. If I were to try this again I think I’d try shading the filters to try and get rid of the flare from the shot in the first place.
The night before though also produced a surprise shot for me. With the position of the sun and ideally wanting to get it over water the Western Harbour at the back of Ocean Terminal is a great spot. The obvious shot is the old pier with the Gormley statue at the end of it, but the flats at the other side of the harbour make for a good shot too, especially if the water is still.
However, it was the pier that produced the goods. I’ve shot this before on long exposure and had a lot of issues with light bouncing back into the lens from the filters and I finally figured out why. At this location there is a shiny bare metal fence which I sit the tripod up against to get the shot, the light has been bouncing off the metal and back up into the bottom of the filters and I effectively get a reflection of the inside of the lens on the shot, just putting an arm along the fence was enough to get rid of this totally, amazing what you can figure out.
Again with this shot, I set up the shot without the 10 stopper in place, played with the filters to see which combination worked best and then screwed in the ND3.0 and slipped the other filters back on top. In this case, I’ve used the ND3.0, circular polariser, ND0.9 soft grad and sunset grad filter on a 3 minute exposure to get the colour and effect on the water. The sun was still in the sky off up to the left of this shot.
That’s the more recent shots but like I already said, April is a good month for sunsets so here’s some of the month’s other highlights!
Well, I finally got my hands on a 10 stop filter. Not the B+W I had originally hoped to get, they seem to be rather hard to get hold of just now in the UK, but a Heliopan ND3.0. After a little bit of research it seems that this filter is rated as highly as the B+W so when TeamworkPhoto on Ebay put a stack up for sale at a slightly lower price than the B+W versions a sale was inevitable. At a touch under £100 for a 77mm version it might seem expensive for a little bit of round glass but it’s when you start to use these things you can see the quality and exactly what your paying for.
This particular filter is the slim version so it fits nicely onto my Sigma 10-20mm lens and I can attached the 77mm p series adapter ring to it to allow me to use the CPL and grads easily too. The lens is usable at around 12mm upwards otherwise you do start to photograph the edges of the filter holder, which isn’t too bad as even without the 10 stop in place you get this same effect at around 11.5mm so no great hardship there.
First thing I noticed and it’s fairly obvious really, you simply cannot see a thing through this filter. It’s that dark. Hold it into very bright light, i.e. into the sun and you could just about compose a shot but with grads and a CPL in place as well, not a hope. This means the shot has to be composed on the tripod (obviously); the head locked in place and then carefully fit the 10 stopper and slip the filter holder with the grads on. Bit fiddly but you won’t be taking that many shots with this arrangement in place since you’re likely to be playing around in the 3 minutes exposure mark.
This was the first attempt with the 10 stopper. Taken on Calton Hill in Edinburgh, just the 10 stop and CPL in place. VERY bright light, around 5pm with a clear blue sky and, unusually for Scotland, a nice bright sun. 3 minute exposure and it’s nicely done the trick I wanted and got rid of all the tourists walking about in front of the monument, which was sheer luck not of them stood still long enough to get into the shot.
I did have another attempt later the same day at Newhaven Harbour and got some cracking results but the sea was rough, the wind was terrible and the grads were picking up spray all over and the shots were frankly unusable as a result. Lesson learned there.
Next night out was the Forth Bridges. A very familiar subject so a good place to test the filter out. I started around 7.20pm, approx an hour before sunset with the tide coming in and the sun still quite high above the Road Bridge. It seemed pointless to go shooting into the sun so I took a shot of the rail bridge with the rocks in the foreground getting covered by the incoming tide. This was a 4 minute exposure with the CPL and Hitech 0.6 ND soft grad. Very impressed at the lack of colour cast from the grad with the 10 stopper, at least if your not looking into the sun with it.
As the sun went further down I moved to the other side of the rail bridge to get the sunset with both bridges in the shot. A popular spot for photographers and sadly, the ned element of South Queensferry too it seems.
This was the last of my 10 stop shots for the night as exposure times were getting way too long with the decreasing light. This was a 331s exposure with the 10 stopper, CPL, ND0.6 soft grad and a light tobacco grad, ISO200 f11.
I have to say I’m enjoying the learning process with this new filter although my usual hit and miss method of calculating exposure times is going to get very tiring very fast. To that ends I’ve found an iPhone app called Long Time that does the calculation for you which I’ll give a trial of next time I’m out which will hopefully see the end of hit and miss results guessing exposure times.
I’ve got a new obsession.
Actually, it’s an old one rekindled and it comes in the form of the Hipstamatic app for the iPhone. A better £1.19 you couldn’t hope to spend. Digital photography has never looked so analogue is their strapline and it’s true. The easiest way to try and describe it is to look at it as some sort of lomography affair. You get the light leaks, the vignettes, the odd colourings etc and that’s the appeal. As a Holga owner this is far easier and more convenient that getting all that 120 format film developed. Obviously, it’s not proper lomo but it’s a whole lot of fun to use.
I rediscovered the pleasures of Hipstamatic after my recent interest in long exposure photography. What do you do when you’re waiting for a 3 minute exposure to end? You rattle off some Hipstamatic shots of the same subject, that’s what! It’s perfect. I even started photographing my D90 on the tripod doing the long exposure.
in fact, I’m having so much fun with this app I’ve started to take the Hipstamatic shots and then upload them using the Flickit App to my Flickr account, which also posts to Twitter with a link to the shot. Great fun as I can do it while I’m out and about rather than having to wait till I get home.
I used to use Hipstamatic to photograph everyday situations a new way, i.e. mundane scenes in an unusual style but now I’ve tried applying it to the sort of scene I’m photographing with the D90 it’s opened up a whole new set of uses and it’s nice to see some instant different takes on a scene.
So far I’ve used it at…
The point I’m trying to get to here, is that it’s a great compliment to my usual photography. What Hipstamatic does is what no other iPhone photography app does, it makes taking photos with a mobile phone fun and interesting. Your not looking for that meag quality shot, just something quick and interesting and it ticks both those boxes many times over. Besides… it doesn’t half fill in the gaps between those 3 minute exposures!
If you follow this blog you’ll know I’ve recent found myself caught in the grip of long exposure photography. Something I’ve done in the past with mixed results, but with methodical use of my range of filters I’ve discovered a lot this past couple of weeks. I still feel I’m being constrained slightly by the equipment but learning a lot and getting some images I’m very happy with as a result.
Keep the filters clean!
This was a lesson learned the hard way. I’d never cleaned any of my slot-in filters since I got them back in September. Screw in’s for some reason Iim happy to wipe down with whatever’s at hand, but I’ve been overly precious about the slot in filters. Which became very evident after a trip out and then finding I had to clone out dozens of marks on the shots. All very well but sometimes it’s not that easy to get a smooth clone on streaky clouds etc, so best avoided.
To clean then I’ve been washing them gently under a warm tap, dabbing dry with kitchen roll and then finally cleaning carefully with a lint free cloth. Seems to work fine. You can see marks on all the filters but these don’t show up at all on the images, huge difference.
Be aware of the where sun is!
This is another one I’ve finally figured out. Some shots looked dreadful. Such a disappointment when you see the camera preview, get home and find all sorts of strange flares and marks all over the shot.
What I’ve found is that with the sun directly behind you it seems to hit the filters and bounce light back into the lens and highlights any marks on the filters. With the sun to the side and rear in some cases it causes the camera to actually record the front element of the lens on the shot as a reflection. Funnily enough, shooting near on into the sun, if you can avoid the flares seems to work fine? To this ends though I’ve taken to trying to shield the filters in some way from stray sunlight, fortunately, living in Scotland, it’s not that big an issue!
Wind is both your friend and enemy
After a night out with the camera on Friday it brought home just how good and how big a pain in the rear end wind can be. On the plus side, high winds ripple water nicely making those smooth milky sea shots a lot easier and it sends the clouds racing across your shot, also desirable. However… it also blows your tripod about all over the place, even a sturdy one. It’s worse still with a stack of rectangle filters in front of the lens giving it more to catch onto. I’ve seem me this week almost standing over the tripod trying to shield the camera from the wind. Nothing worse than a 3 minute exposure and you see the camera move just as you get near the end.
All these shots were taken in near gale force winds:
In bright conditions, lose a grad and use the polariser!
My P series filter kit gives me the option of using 3 filters in front of the lens and my screw in ND8, typically for these long exposure shots that means a Hitech ND0.9 soft grad and 0.6 soft grad. However, as I’ve discussed in previous posts, the ND0.9 causes a horrific purple colour cast.
What I found on Saturday though, was that in bright conditions with blue sky around, to replace the ND0.9 with the circular polariser and keep the 2 grads, still lets me push around 20-30s exposure in very bright conditions and keep some colour in the shot too as there is little or no cast. The polariser has the added benefit of darkening the sky and highlighting the clouds, even losing the 0.6ND and using the 0.9ND for B&W work with the polariser in place was very beneficial. So, use the polariser and experiment with your other filters in bright conditions.
All these shots were taken with the polariser in place:
Despite the best efforts of some strange foreign bloke to get in every shot, these were taken in Portobello beach with the polariser slotted in place instead of the ND0.6 soft grad.
I cannot recommend this enough; try different things you never know what you’ll get. This shot on Calton Hill was taken with the ND0.6 soft grad, ND0.9 soft grad and a sunset filter in place, not a particularly long exposure at 40s but I liked the resulting colours.
Finally, I’ll leave you with a couple of other long exposure mono shots from last nights trip to Cramond just as the tide was on its way out.
Above all though, I’m enjoying this learning curve a lot. I’ve already priced up how much a move to the Lee pro filter systems will be. At approx £550 for what I want, the saving starts now!