There doesn’t appear to be a name for a fear of tripods, an as yet unrecognised but very real phobia. And yes, I did Google it.
When I say “fear” that’s probably too strong a word but from giving photography lessons I have noticed that a fair few of the people I’m teaching don’t own a tripod or are very self conscious of using one.
I have to sympathise with this though. I wasn’t a prolific tripod user when I started out, probably down to a mixture of dreadful cheap tripods and not really seeing much need. As I progressed into using filtration I soon started using one nearly all the time. At some locations this didn’t bother me but in the city centre I was very self conscious of using a tripod as if it were some sort of badge that marked out the weirdos of society.
I soon realised that especially living in Edinburgh photography tripods are like rats in a big city, supposedly you’re never far away from one. Look about in a city centre, you will see people using them at certain locations, they are nothing unusual at all and it’s a fear worth overcoming as the benefits to your photography are huge.
I use a tripod as a matter of course these days. Even in bright light when shutter speed isn’t going to be an issue I still prefer it. I can compose a shot, take it and then since the camera is tripod mounted I can make adjustments and be confident my composition remains unchanged. You’d be amazed at how handy this can be.
Combine a tripod with a wireless remote control and you’re onto a real winner, the perfect combination for all situations. It’s worth simply making this part of your photography workflow for all situations. Of course, by all means shoot handheld if the situation demands it. I only ever shoot action and macro handheld as using a tripod is simply too restrictive.
For landscapes though, that just isn’t an issue and getting used to setting up on a tripod and attaching your remote is a worthwhile few minutes spent before taking any pics.
A quick word on tripods though, these are the perfect example of the buy cheap buy twice philosophy. I lost count of how many tenner in Tesco’s type tripods I burned though before I moved onto cheap and nasty Jessops efforts. I wasn’t until the death of yet another sub £40 tripod I moved up and bought a nice Giottos with a tilt and pan head. It’s been abused for 3 years now, submerged in sea water, covered in sand and made a few trips at speed in a downwards direction when the carrying photographer doesn’t see the mud in the dark on Blackford Hill. Asides from me breaking the tripod head a few months back it’s still going strong. I reckon it’ll be like Trigger’s broom in Only Fools and Horses. He had the same broom for years but it had 6 new handles and 8 new heads only it’ll be legs and heads in my case.
The point being though, for £130 I’ve had a stable, well performing platform to work from for the last 3 years. Well worth every penny.
Using a tripod also allows you to explore some other functions you might never have used on your DSLR, such as Mirror Up. or mUP as it’s called on the Nikons. Mirror up essentially means you press your remote once to flip up the DSLR mirror and then again to start the exposure. The benefit of this is that you can totally eliminate any shake from longer exposures. Flick up the mirror, wait a second or 2 for the camera to settle and then take the pic. Not a massive thing with wide lenses but tripod mount a big zoom and you’ll get to love the feature.
I suppose I should make some reference to tripod heads as well. There’s a bewildering array of them out there. The ball head seems to be the current favourite but if I’m honest, I hate them. Fiddly is the word here. I prefer a good old fashioned tilt and pan, 2 levers to do all you need it do to. Simple and functional. If you ever take pictures in the dark that’s what you want but at the end of the day it’s all personal preference.
Think too about the weight of a tripod and max height of a tripod. If you’re 6ft 6” and your tripod only goes to a max of 120 cm you’re going to get backache using it. Get something appropriate for your height, that does mean the taller amongst us will be paying more unfortunately.
Weight is a factor too. 7 stone weakling doesn’t want a full aluminium tripod with a heavy duty head on it to carry about for a days shooting, carbon fibre is more expensive but a hell of a lot lighter. The payoff may be that it’s not quite as usable in strong winds. I’ve got an aluminium one and at times I can learn to hate it with the weight in it but first windy day and I can see why I stick with it.
Again it’s down to personal preference and how you intend to use it. Do you only ever take pictures 5 ft from your car? Then buy the cheaper aluminium one. Do you hike up Ben Nevis before breakfast for the sunrise? Then you might appreciate a carbon fibre one. Do you struggle to open a packet of crisps? Get the carbon fibre. Are you Geoff Capes? Get the aluminium one. You get the idea.
So, shrug off that coat of self consciousness and go forth and be proud of your tripod, your photos will thank you for it!
Ah, so you got a shiny new digital SLR for Christmas did you? An upgrade from a compact, first SLR maybe? I’m betting as much as you like it it’s also confusing the life out of you and frustrating you at the same time isn’t it?
Consider this 12 month plan to help you unravel the secrets of your DSLR and get the most out of it. This won’t tell you how to USE your camera but it’ll tell you what to concentrate on while you get to grips with it and what you’ll need.
So, how best to get the most out of your new acquisition? The good news for you is that you don’t need any more equipment at this point, no more expense! All you need is your camera with its kit lens and off you go. Don’t even think about new lenses and any fancy accessories just yet, spend the first while with your camera getting to know it. It’ll have a load of modes and features which no doubt you’ve played with but have no idea what they do.
Rule 1, and try to keep with this one as much as you can. Forget AUTO mode exists. Don’t touch it. There can be no excuse for using AUTO on your SLR. If you want to use AUTO, go back to a compact.
Rule 2, forget all those pre-programmed modes, the only thing to concern yourself with now is the Aperture Priority mode which may be A or Ax on your camera. Stick to this mode as it’s all you’ll need for now, eventually you can progress to using Manual but Aperture Priority will serve you well for now and it’s going to keep things simple.
Spend the next month playing with the camera in this mode. Learn what the aperture is, there’s a million tutorials on this out there, you don’t need one from me but trust me, learn to use your camera in A mode, learn the difference between taking pics at f3.5 and f22, and learn to use the ISO on your camera. Try to keep it as low as possible but don’t go over 800 if you can, learn to adjust this and the aperture so you can shoot handheld in the light available. You WILL get the feel for it a lot quicker than you think.
Months 2 – 4
OK, so you’ve recognised AUTO mode as evil and you now understand what aperture and ISO are. These are building blocks for you to move on now. By this time you’ll also know what your SLR is going to be for you. Are you just using it for family snaps? Or are you actually taking pictures with it, are you seeing scenes and trying to capture what you see? Do you find you want to take the camera wherever you go? If you are, then let’s go shopping.
If you want to progress you will need a few additional items of equipment.
1. A tripod. Now, don’t skimp here. You can get tripods from a tenner upwards but its false economy. Tripods take a fair hammering and I went through a load of cheap ones until I finally saw the light and invested £120 in a decent one which has outlasted all the other cheap ones put together and it’s still going strong. Final decision is yours but I would consider spending that wee bit more here.
2. Remote Control. To go with your tripod you need a remote. You could use the self timer on the camera but that’s not perfect, a half decent remote will serve you well. Try and avoid these tiny IR remotes that use the camera’s built in IR, these are typically useless. Get onto eBay and find yourself a programmable remote that connects to your camera with a cable, these are a LOT better and you’ll get a lot of use from it. Around £20 should be all you need to spend. If you want to go a bit further look at something like the Hahnel Giga T, which has a receiver unit that sits in the hot shoe and connects with as short cable to the camera. It’s triggered by a powerful programmable IR remote, a highly recommended investment (around £60).
3. Some decent processing software such as Adobe Photoshop Elements.
Ok so that’s it. Put the wallet away. You need nothing else. Now though, you can take pics in lower light, even dark as you have the tripod for stability and the remote to trigger the camera without touching it. You can now also progress to longer exposures, your aperture mode will allow you go up to 30s but if you flick to manual and select the shutter speed of BULB then you can go as long as you want. EXPERIMENT! It’s the best way to learn. Over this time you’ll see a difference in your pictures.
So how’s it going? Still enjoying your camera? You are? Excellent, time to go shopping again.
What we want now is a simple set of filters. Keep it cheap to start with. Get onto eBay and get yourself the following.
1. P series filter holder
2. P series adapter ring to fit the screw size of your lens
3. A set of 3 85mm (P series) soft graduated filters, 0.3, 0.6 and 0.9
4. Slot in 85mm circular polariser
This shouldn’t cost you any more than £60 or so and it will transform your images. Remove your lens hood and screw in the adapter ring, fit the holder to it and you’re ready to go. The graduated filters will allow you to control the difference between the light sky and dark land; the polariser will make white clouds white and fluffy while giving you a richer blue sky. They also reduce reflections in water and glass.
Now you need to get out and learn to use these filters. Expect disasters to start with but if you’ve been learning aperture, manual mode, using your tripod and remote then all this will be 2nd nature by now so you can concentrate on learning how to use the filters.
At this point too, if you’re still taking pics as jpg’s on your camera, learn about the RAW format, it’s time you processed your own images and not letting the camera make a best guess and what you want.
Months 9 – 12
And here we are 9 to 12 months after getting your SLR and your still out taking pictures? The bug is biting it seems. Now it’s time to go lens shopping. Your kit lens has served you well but nows the time to consider some of the following.
1. Replacement for the kit lens. These are typically low quality medium range zoom lenses, 18-55mm or so. It’s a good focal range but there are a lot better versions on the market, get a good one and it’ll last you forever.
2. A super wide lens. Your kit lens is fine but sometimes you just can’t get enough in the scene, so you need a super wide, something like the Sigma 10-20mm is a perfect choice.
3. A decent zoom lens. Now, here you have a choice. If you want to replace your kit lens and get a zoom consider a super zoom. These will typically allow you to go from 18-200mm in one lens. There are some great examples out there and they won’t disappoint. It’ll likely be pricey, around £600 but remember, it’ll do the job of 2 lenses for you.
4. A longer length zoom. It’s handy to have a good longer length zoom lens, 70-300mm is a popular range and there are some cheap examples about but if you can afford it, get a 70-200mm f2.8, the Sigma version is around £700-800 and Nikon and Canon’s versions are in excess of £1500 but what a lens, I’ve had my Sigma version for over 10 years and just could not bear to be without it. Very versatile and image quality is amazing.
5. 50mm f1.8 prime lens. One of the cheapest lenses you’ll ever buy, around £100 new but superb image quality and so versatile with that wide f1.8 aperture. You’ll have a lot of fun with one of these learning about depth of field. A must have for every photographer.
You might also want to consider a decent bag to carry all this kit around it. It needs protected, you’ve spent a lot of money on it so don’t skimp on the bag. Get a decent brand like Loewpro and it should last you for years and keep your kit in good order.
And that’s it. You’re more than capable of making your own way now, by easing yourself in through the year you’ve avoided giving yourself information overload, you’ve learned the basics and you’ve got the building blocks to move on to bigger and better things without having more debt than Greece on your Jessops card. Enjoy your new hobby for years to come!