This is one of those locations that just begs to be given the long exposure treatment. The Scottish coastline is littered with these old piers if you know where to look for them and they make fantastic subjects as they age and deteriorate.
This particular pier gave me some amount of issues trying to find how to get access to it but once you’ve found it it’s really rather easy!
Arriving in Aberdour from the East drive though the village and you’ll go past the railway station which is on a large S bend. Around 100 yards on your right from there you’ll see signs pointing to Silver Sands down Hawkcraig Road. Follow the road down until you arrive at a large car park. Drive to the far end of the car park and park up to the left where you’ll see an opening in the trees. Walk though here and turn immediately to your left and follow the road. After a very short walk you’ll get to a little fork in the road, keep left and walk down the very steep hill towards the houses at the bottom. Continue along the little gravel lane and when you come out from between the houses that’s you at your destination!
The beach here is all medium sized loose rocks, a bit tricky to walk over to make sure you exercise some caution which approaching the pier. When I visited here, it was about an hour before high tide and it was a pretty good guess at a decent time catch the subject. You have good access all round and indeed even underneath the pier so you can get shots from a good range of angles.
While you’re here don’t forget the view you also get of the Edinburgh skyline where you can clearly make out landmarks such as Arthur’s Seat, Edinburgh Castle, the Hub spire, St Giles bell tower and the Balmoral Clock. A range up to around 200mm will get you a reasonable shot of Edinburgh from here.
This location is also interesting for the views of the various little islands dotted around the Firth of Forth including Incholm and its Abbey and the “back end” of Cramond Island. Again, a longer lens will let you get something of them from here too.
This location is best for sunsets in the winter, in the summer the sun sets off up to your right over the harbour.
All in, a nice location with loads of potential if you find yourself over on the Fife coast!
For a fair few months now I’ve harboured a desire to capture the causeway to Cramond Island, on the outskirts of Edinburgh as the tide was just going out. If you’re not familiar with the location, from the esplanade there is a raised walkway that the tide never covers for maybe around 200ft, then at the end is a set of small steps and then you’re down on the lower level of the causeway where a half mile walk or so will take you over to Cramond Island at low tide.
Now, I’ve photographed Cramond MANY times and it’s distinctive causeway too many times to count. The causeway itself it lined with a set of old WWII sea defences which were designed to stop small boat attacks further up river at the Forth Bridge and Rosyth Naval Yard, the other side of the island to Fife was protected by anti submarine nets. All that remains now is the distinctive line of pyramid structures right out to the island which get covered more or less to within a couple of feet from the top at high tide.
The challenge though, was the photograph the tide as it came in over the causeway. It’s fairly safe to do so as long as you keep your wits about you. You need to be on the causeway itself around 3 hours before the high tide time. If you get there early the water will start to flood the sand flats either side and sit around the bases of the sea defences. You need not go to far out to get a load of interesting shots of the defences.
However, soon you will see the water start to gently spill over onto the causeway about half way along. If it’s between you and the mainland, get back quick. If not keep and eye on it and you can move up a bit and you’ll have plenty time before it reaches you. From the first signs of water on the causeway to needing to get off it you’ll get around 30 minutes. As it starts to properly flood you need to be up near the elevated section of the causeway where you can make a sharp exit to safety. Remember, the water gets around 8ft deep here at high tide.
Get yourself up near the steps and you’ll have plenty time to rattle of shots of the tide as it advances towards you. It’s a perfect place for long exposure shots especially. Just keep an eye on the water as it comes in very fast and once it starts to reach your feet it’ll be a few inches deep in minutes. Get it right and you get these sort of shots.
Get your timings right and it’s well worth a visit. Even after you need to get up on the elevated section it’s still worth hanging about as there’s still interesting shots to be hand from up here.
What a week it’s been for the old sunset shots! It also helps that sunset is at a hospitable time at the moment too. Setting around 8.40 is much preferable to being out and about at the back of 10 or worse still, being sat in work watching the sun give a great visual display on the horizon!
My last post gave you whole tale of how I managed to get my favourite sunset shot of the year so far, but as I can see from my Flickr photostream, April tends to be a particularly good month for sunset shots around Edinburgh for some reason.
This was last night’s effort. The original plan had been to head down to the Cramond Island causeway, but since I’ve done that to death I headed down to West Shore Road instead to a spot further along the coast I spotted the other night which had a perfect view of the causeway, Cramond Island and the Forth Bridges behind.
To say this was a difficult shot to take would be an understatement. The sun was still high in the sky, actually just above the top of the shot. With the distance I switched to the Sigma 70-200mm f2.8 EX HSM for a bit of extra reach but actually expected it to give me horrible lens flares, which surprisingly, it didn’t. Once again, I framed up the shot with no filters, locked up the tripod and slipped on the now invaluable Heliopan ND3.0 10 stopper, the result was a pleasing enough shot with a nice gentle orange glow in the sky but it left the water a touch dull.
To combat this I slipped on the adapter ring and filter holder and slipped in the sunset filter. With this in place I could stretch the exposure out to a full 60s, after a couple of goes at setting the grad this was the final result. It took a fair bit of post process if I’m honest as shooting into the sun had brought out every single dust mark on the sunset filter, of which there were many! There was also a bit of flare I’m managed to just about eridacate with a little dodge and burn. If I were to try this again I think I’d try shading the filters to try and get rid of the flare from the shot in the first place.
The night before though also produced a surprise shot for me. With the position of the sun and ideally wanting to get it over water the Western Harbour at the back of Ocean Terminal is a great spot. The obvious shot is the old pier with the Gormley statue at the end of it, but the flats at the other side of the harbour make for a good shot too, especially if the water is still.
However, it was the pier that produced the goods. I’ve shot this before on long exposure and had a lot of issues with light bouncing back into the lens from the filters and I finally figured out why. At this location there is a shiny bare metal fence which I sit the tripod up against to get the shot, the light has been bouncing off the metal and back up into the bottom of the filters and I effectively get a reflection of the inside of the lens on the shot, just putting an arm along the fence was enough to get rid of this totally, amazing what you can figure out.
Again with this shot, I set up the shot without the 10 stopper in place, played with the filters to see which combination worked best and then screwed in the ND3.0 and slipped the other filters back on top. In this case, I’ve used the ND3.0, circular polariser, ND0.9 soft grad and sunset grad filter on a 3 minute exposure to get the colour and effect on the water. The sun was still in the sky off up to the left of this shot.
That’s the more recent shots but like I already said, April is a good month for sunsets so here’s some of the month’s other highlights!
So… I’m still kind of obsessed with this long exposure monochrome photography thing. It’s a bit addictive once you’ve sussed it out. For me, going out every night with a camera isn’t out of the ordinary, my parallel addiction to blipfoto.com feeds that habit, but since getting into this long exposure stuff I can’t wait to get out and about. It’s like wiping my photography slate clean and I can go back and photograph everything I’ve photographed before in a new way.
What I have learned though, is that Formatt’s range of Hitech filters are NOT particularly good, something I found particularly evident with some experimentation tonight. Shooting with a very cheap screw in ND8 on the Sigma 10-20mm lens there is no colour casting at all. Add in a Hitech 0.9 and 0.6 ND soft grad, with this £5 screw in, no colour casting. Add in the Hitech 0.9ND and it all goes purple in the sky. Take out the ND8 and it’s all still purple.
Examine this logically. The ND8 gives a 4 stop reduction in light; the 0.9ND gives a 3 stop. The 2 grads give a 3 and 2 stop reductions, combined to 5. Now, with the screw in, that’s overall 4 stops reduction with a further 5 stops grad in the sky, no cast. With the ND0.9, that’s overall 3 stops with a further 5 in the sky, less than with the screw in and the colour cast is horrible. It doesn’t take Sherlock Holmes style power of deduction to realise it’s that Hitech 0.9 ND that’s spoiling this party for the colour shots! It’s got to go and I NEED a B+W ND110 and quickly. From what I see from other people with this filter, no casts! Poor show Formatt.
Anyway, tonight’s trip took in Newhaven Harbour, the Old Pier at the back of Ocean Terminal shopping centre at the Western Harbour and finally, a quick pit stop in the Dean Village for the Water of Leith. The 2 coastal stops were, shall we say, challenging. It was cold, blowing a gale and there were occasional spots of rain in the air. Despite this though, both Newhaven and the old pier gave some decent shots overall. I’ve photographed that old pier a few times now; finally I’ve got a shot I’m happy with.
Tried some new angles at Newhaven, thankfully the gate was open at the top here and I didn’t have to do any acrobatics over the fence…
The wind was so bad down here tonight you literally had to shield the tripod with your body to get a decent shot. Typical Scottish wind too, came from every angle and was bloody cold!
Quick trip inland to the Dean Village was the best option to escape the wind. It’s a great location this and the last twice I’ve visited here there was a film crew on the bank I wanted and the time before that the Water of Leith was in serious spate at the banks were under water. No so today and a few different angled shots of this great scene were had. I liked this one best, very low angle from the opposite bank from the one I wanted. Worked well and the 2 ducks that were following me about thankfully kept moving so didn’t appear in the shot!
I’ll leave you with a couple of other shots from the last few nights using this same technique.
And finally, a shot of the causeway at Cramond leading to Cramond Island, this was my breakthrough shot. I was down here doing a sunset and gave this a quick try before I left, best shot of the night!
There’s nothing better than a special event to bring out the photographers in Edinburgh, even more so it seems if it’s a once every 20 years lunar event as we had on Saturday 19th March. The event in question, the Perigee Moon saw the moon at it’s closest to earth for 18 years meaning it would look 14% bigger and 30% brighter. Would we even notice? Who care’s it’s a photographable event and plans had to be made!
Last week after being in North Queensferry I had noticed the moon directly above the Rail Bridge so that was a possible location. Blackford Hill was another but it gets slightly cold up there if it’s windy. So, with the help of Twitter and The Photographers Ephemeris, I decided on Calton Hill. From the Photographers Ephemeris you could see the position and time of the moonrise, around 6.30pm and due East.
On arriving at Calton Hill the first thing that struck me was the amount of photographers already setup at 6pm with cameras on tripods facing the wrong direction! I can only assume one set up incorrectly and the rest followed as they had all moved by 6.30pm.
It was cold on the hillside on Saturday and as you would expect, half 6 came and went with no sign of the moon. Typically, the clear skies of earlier in the day had given way to heavy cloud cover, not what you want for moon photography. My efforts were further hampered by missing my Sigma 70-200mm f2.8 lens, which has to go for repair earlier in the day leaving me with just my backup Sigma 28-300mm zoom, nice enough lens but oh so soft on the focus at the 300mm end. With that in mind, moon shots were out but moon above a landmark might still work out.
Just when I was about to give up hope the first glimmers of an appearance were in the Eastern sky, at this point I was up at the side of Observatory house and this was the first shot I got of any sort of moon just to the side of the National monument:
Walking past the monument revealed where at the photographers had went; they were dotted everywhere around the hillside here. The moon however, was not in a mood to show itself and the only other shot I got was this:
Long exposure and moon shots don’t go but there wasn’t even a remote chance of shooting the land and then the moon to combine in Photoshop. Fed up and cold I packed up and headed off being that I wasn’t interested in getting the moon high in the sky. Typically, on the way back to the car with all the gear packed away the moon popped out, just for a minute.
Now, I hate not getting the shot I went for so the next night, the moon was due to rise at 8.15pm again, due east. On checking possible locations this time I went, appropriately, for the car park of the Royal Observatory on Blackford Hill. You don’t want to be parking in the public car park up here at night unless dogging is your thing…
Predictably, 8.15 came and went and it was nearly 20 minutes later till the first glow in the clouds gave away moon position. Higher than I’d have liked I started to get some exposures of the land hoping if the cloud cleared I’d get a change of an exposure for the moon to combine in. After another 20 minutes of hanging about, finally the clouds obliged. 2 shots were got, first of the moon then without moving the camera a longer exposure for the land. This was the final result of the 2 combined with Photoshop CS5.
Not quite the weekend of lunar photography I’d hoped for and 18 years to wait for it to happen again.
Or fake it?
Processing this shot last night I thought an added moon gave it a nice balance!
Not that dissimilar to another faked shot from a couple of months back:
Lesson to be learned? You can’t control the elements so if you really want the shot, learn to fake it! ;o)
When the Forth Road Bridge Twitter stream tells you there’s a speed restriction on the bridge because of fog, what’s the first thing you should do as an Edinburgh photographer? Check the road bridge webcam of course! Which I did and it confirmed what I’ve been looking for now for a while, the fog was heavy enough to obscure the opposite bank, meaning that the elusive bridge disappearing into the fog shot I’ve been after might be possible.
Heading to North Queensferry just after work seemed like the best plan, get in underneath the bridge and get “that” shot. In the event, the good people of Fife had other ideas and in their scramble to get home the bridge was chockers with traffic. Plan B swung into action as the sunset was approaching and a path was blazed down to South Queensferry instead.
If you drive in past the rail bridge there’s a spot with some parking and you can get down to the beach at low tide. Perfect spot and the fog was also perfect, more on the North side of the water it was low and thick. It obviously drew out the photographers as there were loads of them about.
Highlight of the night down here wasn’t the fog, or the bridge or anything even related to why I was there; nope it was watching the Rover 25 slide off the road, down the slope and end up at a 45 degree angle against the sea wall. Any thoughts of offering help went out the window when the driver stormed out the car shouting at the other occupants to move it as “a cannae be here…”, intrigue indeed.
Anyway, back to the photography.
Sun was setting and I went to work with the filters, what was apparent though was that the fog was getting worse. With the last of the decent light I got some shots off but just as we were looking for the sunset the fog went all pea souper on us and blocked out the last of the golden tones.
Still, I did get this shot before it closed in…
By this point light was fading fast and the fog was so thick options were getting limited. Took some shots with the Nikon 18-70mm to let me zoom out past the rocks and also tried out the Sigma 70-200mm f2.8 EX HSM to get close in and get some detail.
And the detail shot at 200mm from the beach:
With the light going fast a change of location seemed like a good idea so moved up to the Binks car park and headed down to the beach at the side of the little harbour. Now, this is normally a pretty good location but with the tide right out it wasn’t the best tonight so after a few shots abandoned here and headed over the bridge to the North Queensferry side.
Driving over the bridge the thickness of the fog was apparent, nearer the north bank you could hardly see 20ft in front of you but as soon as you cleared the water the fog thinned right out.
When you come into North Queensferry if you go right at the first junction you come to you’ll head towards the bottom of the road bridge. You can park up near the houses and there is a little gap in the low wall leading to a grassy area that leads to a fantastic spot to get shots of the underside of the road bridge.
I was kind of glad I didn’t get here till the twilight was setting in as the lights were on on the bridge and and casting a sort of eerie glow in the fog. I’d only taken the Sigma 10-20mm with me and to be honest, this lens doesn’t perform well from the side of the bridge; the wide angle distortion is VERY obvious. The Nikon 18-70mm lens would have been a better choice.
Undeterred, the one spot this lens does work well in directly under the bridge, not somewhere your really supposed to be so nipped in and out quick, got the shot and headed out. Glad I did as this was the result…
Finished the night off round at the harbour and by the side of the rail bridge getting some shots of the lights in the fog, which I’ll process later.
All in all, a 3 hour night on the camera with some fairly satisfying results and very glad to finally have got the Bridges fog shots at last, another one ticked off the list. Not that I won’t be back for the next bout of fog as well…
So last nights outing was a last minute run into St Giles Cathedral on the Royal Mile. I literally got 10 minutes to get a few shots so working quick was the order of the night. St Giles is handy for a quick few shots as you can usually get parked pretty close, at night at least, and it’s generally a lot quieter than it is during the day.
The plan for the night was some low down shots with the extra wide Sigma 10-20mm lens on to capture some nice damp cobbles as foreground interest. In the event, amazingly after the snow and rain we’ve had in Edinburgh over the last few days the ground had all but dried up by the time I got there. Still, once your there make the most of it!
Like I’ve said, the Sigma 10-20mm lens was on the D90, tripod was set to it’s lowest and as it was dark, no filters at all on the lens. Shooting down low with the D90 isn’t the easiest, it’s one of those times you wish it had the D5000 flip out screen, not that live view is a lot of use at night but at least it’s better than having to practically lie down on the damp ground to compose a shot.
In the spirit of experimentation I went for ISO200, f10 and shot bracketed exposures so I had the option of HDR should I want it. This meant the last overexposed shot maxxed out at 30s but it’s usually fine for HDR work.
This was the first shot of the night, taken from the left hand side of the Cathedral next to the, thankfully no spat on, Heart of Midlothian. Why do people spit on it? Football nonsense no doubt.
Happy enough with this HDR version of the shot, just wish that Arnold Clark hire van on the right had moved off!
From here I moved over to the other side of Parliament Square and managed to get a nice wide angle, again with the tripod low and managing to avoid the van this time. Not an HDR conversion but looked so much better as a monochrome.
This was processed from the RAW file using an Adobe Camera Raw preset for high key B&W. It’s handy to have some presets in ACR, for those times you just don’t want to spend ages processing shots. There’s loads of sites out there to download them from an you’d be surprised at just what you can do with some of them.
So, that was about it for the night apart from a few last shots of the stature and Cathedral together with the tripod fully extended that I didn’t care for in the end.
Hopefully the crap weather is on its way out again, getting fed up doing night shots now this winter!
Lets be honest, this is Edinburgh, a wee bit of snow in mid-March isn’t that unusual, what was through was the amount the weather forecast said we were going to get, anything up to foot of the white stuff. Now, having had well over a foot of snow back in November/December I had kind of mixed feelings about this. On one hand it’s a major pain in the back end especially now I don’t have the luxury of a 4WD car now, but on the other hand, it’s a rare photographic opportunity. I wish I had made more of it when I had the chance back in November but when every day was a struggle to even get the car out the drive the focus was somewhat elsewhere!
In the end, this major snow event was kind of disappointing. Edinburgh got an inch or so of slushy stuff. Not quite what I’d hoped for. Undeterred, I made my way down to Calton Hill, yet again. I know I photograph this place far too much but what the hell, it’s an amazing view and it’s a good spot to walk the dog at the same time. With different weather conditions it was also another chance to go the “classic” Edinburgh shot from the hill slightly different again.
I probably should have got there earlier as when I did about 1pm the snow was melting fast, so much in face that there were torrents of water running down the steps up the hill. On the hill itself, there was still some slushy stuff on the ground but the city rooftops were largely clearing fast. There was also a little fog on the top of the Crags so if nothing else, that might have made a decent shot.
Light was very flat and with a drizzle in the air using the filters was always going to be a hiding to nothing so again opted to shoot for HDR. The fog on Arthur’s Seat thickened up and it made for a little atmosphere over the city but nothing to get excited about.
Half an hour later, getting bored, wet and cold and facing dealing with a soaking wet dog I was about to call it a day when the fog started to roll in. And what a fog it was. Within minutes the Castle was totally obliterated and even the Balmoral Clock was starting to disappear. As I was at the front of the hill I headed back up to the side of the Observatory house to get “that shot” again, in a way I’ve not managed to get before.
And a closer view:
Within 15 minutes the entire city centre was hidden below the fog and it was starting to thicken up on the hillside too.
By this point there was not a lot of reason to hang around, the lens was getting wet and basically you couldn’t see anything!
Pleased with the shots though, something a bit different in an often photographed place which is always a good thing. Sadly, my next stop at the Forth Bridges was a washout, no fog to speak off down there. One day, I’ll get that shot of the Bridges disappearing into the fog! It’s eluded me so far but I’ll be back for it one day!
Ok, so first of a new blog posting type for me that should get me blogging more regularly. I’m going to start and document some of my photographic trips out around the city, which as I’m out most night should be hopefully fairly regular and with any luck give a more in depth insight into photographing Edinburgh.
I’m going to start off with a trip I made up to Calton Hill on Thursday 10th March. So if you’re all sitting comfortably?
Thursday had been a belter of a day weather wise. Sat at work during the day we’d gone from sunshine and blue sky to torrential rain, hail and sleet on and off all day, thanks mainly to the gale force winds. With all this in mind, plans were hatched for a trip to Calton Hill for long exposure streaky cloud shots after work.
As usual with the best laid plans I got held up and didn’t even leave the house to head down to the hill until nearly 5.25, not the best with at least a 20 minute drive through the city centre at rush hour and sunset due at 6.05. This time of year is one of the last chances to get a sunset over the Castle as the sun starts to set to far to the right and sunset over the St James Centre isn’t as quite as attractive a proposition.
Arriving at Calton at nearly 5.50 thanks to a dittering woman driving in front of me for most of the way I was thankful I’d sorted out what gear I’d use on the night before I left the house so rather than take everything I left only what I needed in the Lowepro mini trekker to save on weight which I was thankful for after heading up the hill at high speed.
Sadly, once I got the top, the fantastic sunset that was happening as I left the house was now hidden behind a massive black cloud and the rain was starting. Undeterred, I got myself up at the side of the Observatory House and slotted in the CPL, Hitech 0.9ND and Hitech 0.6ND soft grad and tried some longer exposure stuff. I was getting about 40s as the light was fading fast but it soon became very obvious that there was no hope of keeping the tripod still enough for very long exposures in the wind, which by this time was picking up big time.
So, in this situation what to do? Wasted trip or make the most of it? In an effort to make the most of it I took at the filters off which were picking up rain spots anyway, fitted the lenshood and set to aperture to around f10 which with no filtration was giving me a fairly quick shutter on ISO200. 3 shot HDR was going to be the order of the night. Not that bad an option too looking at the epic skies over the city.
This was one of the earlier shots from the night, a 3 shot HDR conversion, camera set at f10, ISO200 on aperture priority. No filters and auto bracketing set at 3 shots -2,0 and +2ev. Thankfully the rain was staying off and it was much easier to clean the odd drop off the Nikon 18-70mm lens rather than the filters. By this point I had abandoned the Sigma 10-20mm and the wide distortion was starting to annoy me.
From here I wandered around the Observatory, took a few shots of the National Monument and thought about packing up for the night. I was after 6.30 and it was shall we say, “brass monkey” weather up on the hillside.
However… as I rounded the corner looking back towards the city the clouds had started to move over and there was the tail end of a sunset peeking through. An unexpected bonus indeed. The only problem was that the wind was getting worse and the light was dropping fast so the longest exposure of the HDR 3 was going to be around the 30s mark. Thankfully though, I got a little sheltered spot just to the side of the Observatory house that kept me out of the worst of the wind and this was the results!
These were about the last 2 shots of the night and I’m well chuffed with the results, it paid to tough out the conditions for a bit. Doesn’t always pay off but as long as the rain stayed off you can always warm up again later can’t you?
I’d say for this particular location it’s always well worth waiting till after sunset a bit, once the lights come on over the city it makes for a fantastic image, especially at twilight more than the proper dark of night.
Only thing I will say is that don’t do it on a weekend night, Calton is safe enough to be on after dark but with the added threat of drunken wee arseholes a lot higher at the weekend I’d say keep yourself and your expensive camera gear clear of the hill after dark then. Otherwise I’ve been up there a few times over the last year after dark and never had a problem, it’s mainly joggers and other photographers you’re likely to bump into!
I’ve finally got around to processing more of the images from that night so without further ado…
Photographing the Forth Bridges is but like the old adage, of painting the Forth Bridge, i.e. it’s a never ending job. I’ve been photographing them regularly for the last 2 years and still find inspiration and new views every time I get down there.
With the size of the structures they are visible from many location but here I’ll deal with some of the closer spots to investigate both bridges, all with easy access especially if you have a car.
So lets start with the South Queensferry side first, if your coming from Edinburgh, simply head west and follow the signs for the Forth Road Bridge, once on the A90, take the turn off to South Queensferry and follow to road down into the town, you’ll see the bridges after approx 2 miles.
As you approach the bridges you’ll see the lifeboat station, to your right is a small single track road, head down here first and follow the road for about 100m. You’ll come to an open area with plenty parking and the rail bridge should be on your left. From there you can photograph it from the top of the bank or if your feeling fit and the tide is out, head to the left of the wall, there’s a gap here to let you down onto the beach. These are all shots taken from that location:
From here, head back the way to came and park more or less under the rail bridge, again some nice views from here on on the small beach in front of you. You can also walk down the pier.
Typical views from this location:
From here, head past the lifeboat station and you’ll get to the main promenade, loads of parking here but it gets very busy in the summer and at weekend. From here you can photograph either bridge or even both together with the right lens. With the tide out, down on the pebble beach here is a good location.
Now, head into South Queensferry itself, you’ll come to a small parking area, from here you get a better wide angle view of the rail bridge.
Our final location of the south side of the bridges is just along the road. If you can, park up where the road comes to a junction, near the Orocco Pier pub. There’s also a small car park over the junction and to the right but it’s always very busy. Walk though and you’ll find a small harbour, you can either photograph from here or walk to the left and you’ll find the small car park where there are lot of locations to get either bridge.
If your really lucky, there might be a cruise boat in and moored up near the rail bridge:
Head up the hill out of South Queensferry and turn right at the top of the road, go round the roundabout and onto the Road Bridge. Cross the bridge and take the first exit after you cross it and follow the signs to North Queensferry. Follow the small road down into the village. Keep following it and and eventually just past the junction for Deep Sea World you’ll see a small pub, head off to the left towards the rail bridge. You can park here near the entrance to the bridge works.
From here you can get either bridge:
Once your done here, head back the way you came and at the junction turn left towards the pier. You’ll be able to park near the anchor statue. You can get the rail bridge here or walk down the pier (at low tide) and get the road bridge.
From here, head back out the village and on the way up the hill on your left after you pass under the road bridge is a turn off that takes you up the the Bridges Hotel. Drive in and park just as you get into the upper bit of the carpark. Just to the side of the door/conference area there is a path heading up to the right. Follow this and you’ll get to the bridges viewpoint. This is a perfect area to photograph the road bridge, especially at night.
While you’re here, you can take the stairs to the left and go under the road bridge and back up on the other side, access is restricted on this side but you can get a view over North Queensferry to the rail bridge. It’s also possible to walk along the road bridge on the other side from this location.
So there you go, a quick snapshot of EASY locations to photograph the bridges. Of course with a little scouting around there are hundreds more but there are all easy to get to with (usually) plenty parking. You could do the whole lot in a couple of hours if you felt the need!